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The terrifying story of a brother and sister who are sent to their grandparents' remote Pennsylvania farm for a weeklong trip. Once the children discover that the elderly couple is involved in something deeply disturbing, they see their chances of getting back home are growing smaller every day.

About The Visit

Artist : Kathryn Hahn, Deanna Dunagan, Peter McRobbie, Ed Oxenbould, Olivia DeJonge, Benjamin Kanes
As : Mom, Nana, Pop Pop, Tyler, Becca, Dad
Title : Regarder The Visit En Streaming
Release date : 2015-09-11
Movie Code : 3567288
Duration : 94
Category : Mystery & Suspense, Horror

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Name : Sara Stewart / Alias : New York Post
Dunagan and McRobbie have a blast in their respective roles, alternating between everyday grandparent oddities and behavior that wouldn't be out of place at the Overlook Hotel. And overall, the young duo makes an affable pair of narrators.

Name : Michael Sragow / Alias : Los Angeles Times
The honorable tradition of American moviemakers wringing laughs and gasps from bucolic lunatics dates back to "Murder, He Says" (1945). Unfortunately, "The Visit" isn't part of it.

Name : Randy Cordova / Alias : Arizona Republic
A scary fun-house ride that expertly blends jittery tension and laugh-out-loud humor, it will make you forgive the filmmaker for such major time-wasters as "Lady in the Water," "After Earth" and "The Happening."

Name : Colin Covert / Alias : Minneapolis Star Tribune
By remaining a smartly staged thriller rather than a formula shocker, it does quite well with precisely what it set out to do: play on all our fears like a Steinway grand piano.

Name : James Berardinelli / Alias : ReelViews
Despite a promising premise and effective "Shyamalan twist", this low-budget horror film still underwhelms.

Name : Rene Rodriguez / Alias : Miami Herald
Here is a movie in which old people are scary because they're senile and icky and incontinent and do baffling things. And they're, you know, so old and wrinkly.

Name : Wesley Morris / Alias : Grantland
It was fun watching this with a gasping and screaming audience. For horror-goers, the comparative competence must hit the spot. But there's nothing new here - and what I sensed for 94 minutes was compromise.

Name : Steven Rea / Alias : Philadelphia Inquirer
Isn't the whole handheld "real-video" thing kind of old by now? Isn't the Shyamalanian-twist thing kind of old by now, too?

Name : Bruce Demara / Alias : Toronto Star
M. Night Shyamalan's latest film may well have been his last chance at redemption. Fortunately, he rises to the challenge and makes The Visit good, scary fun.

Name : Geoff Berkshire / Alias : Variety
Even if there's less chance the audience will burst out in fits of inappropriate chuckles, as was often the case in, say, "The Happening" or "Lady in the Water," Shyamalan still can't quite pull off the delicate tonal balance he's after.

Name : Tom Huddleston / Alias : Time Out
The result is a bizarre, conflicted mess, horrifying when it's trying to be funny, oddly appealing when it turns the screws.

Name : Steve Tilley / Alias : Toronto Sun
Fortunately, The Visit has a lot of (intentional!) laughs between the creepy bits and jump scares, and never takes itself too seriously.

Name : Peter Hall / Alias : New York Daily News
A messed-up fairy tale that often nails the sweet spot between scaring us and letting us laugh at how scared we are. It's crowd-pleasing horror, the kind that can push moviegoers to the edge of their seats and send them to the water cooler the next day.

Name : Randy Myers / Alias : San Jose Mercury News
Frightfully fun, with Shyamalan relentless toying with us and cramming in horror genre references.

Name : James Rocchi / Alias : TheWrap
Startling but never terrifying, "The Visit" may make a little money, but it does not mark a return to long-lost greatness for Shyamalan. It's more of the same, presented on a smaller, cheaper canvas where you can see every flaw all the more clearly.

Name : Tom Long / Alias : Detroit News
There's undeniable fun in watching a couple of veteran actors get strange with two newcomers. "The Visit" may be worth one.

Name : Christopher Orr / Alias : The Atlantic
It is with some surprise-and perhaps even a hint of disappointment-that I must report that The Visit is merely mediocre and not the breathtaking calamity that we've come to anticipate from its author.

Name : Moira MacDonald / Alias : Seattle Times
It's creepy, sure, but not very enjoyable, basement or no.

Name : Ben Sachs / Alias : Chicago Reader
[Shyamalan's] manipulation of tone is impressive - he gets you to laugh at the grandparents' strange behavior, only to shift gears into horror when you least expect it.

Name : Cary Darling / Alias : Fort Worth Star-Telegram/DFW.com
The Visit is lightweight and doesn't have the emotional resonance of The Sixth Sense, but it's a welcome return to form for a director who seemed doomed to a future of remembering better days.

Name : Ignatiy Vishnevetsky / Alias : AV Club
Following a creative low period that found the director trying his hand at effects-driven fantasy and sci-fi, it can't help but come across as a comeback.

Name : David Edelstein / Alias : New York Magazine/Vulture
An unoriginal faux-doc horror picture that actually works like a demonic charm.

Name : Brian Truitt / Alias : USA Today
The low-budget thriller deftly mixes horror-movie moments, pure strangeness and comedy like a family-friendly David Lynch effort as it takes audiences on one really oddball trip to grandma's house.

Name : Clark Collis / Alias : Entertainment Weekly
Suffice to say that the result is an effective scare machine and a semi-return to form for its creator.

Name : Michael O'Sullivan / Alias : Washington Post
An effective if flawed psychological thriller, a modest campfire story with a solid, genuinely startling twist that is likely to restore the faith of some of [Shyamalan's] critics.

Name : Manohla Dargis / Alias : New York Times
The director M. Night Shyamalan has a fine eye and a nice, natural way with actors, and he has a talent for gently rap-rap-rapping on your nerves.

Name : Peter Travers / Alias : Rolling Stone
Not in the same league as The Sixth Sense, but Shyamalan ends a long dry spell with The Visit. No spoilers, except to say that cheap thrills can still be a blast.

Name : Brad Wheeler / Alias : Globe and Mail
I hear Hollywood whispers. I feel something is amiss. I see dead directorial reputations. And I smell a comeback.

Name : Peter Hartlaub / Alias : San Francisco Chronicle
Much like Shyamalan's flawed/interesting films "Signs" and "The Village," the filmmaker promises more than he can deliver.

Name : Stephen Whitty / Alias : Newark Star-Ledger
While the production values are simple, the script is sneakily complex. Like the best horror merchants, Shyamalan exploits our secret fears - in this case, of old age, ill health and dementia.

Name : Alan Scherstuhl / Alias : Village Voice
The best studio horror flick in recent years, combining the but-what's-in-those-shadows? immersion of The Conjuring, James Wan's basement-wandering simulator, with the crack scripting and meta-cinematic surprises of Shyamalan's best early films.

Name : Richard Roeper / Alias : Chicago Sun-Times
Alas, it's a dopey, only mildly chilling, uneasy mix of horror and dark comedy, scoring few points in either category.

Name : Richard Brody / Alias : New Yorker
For all its intelligence and craft, M. Night Shyamalan's foray into the genre of found-footage horror has the feeling of homework done well.

Name : Tom Russo / Alias : Boston Globe
A relentlessly tense journey into the bizarre, with jolts that linger and some nicely played melancholy. What's more, the movie is often surprisingly, wickedly funny .

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A young woman wakes up after a terrible accident to find that she's locked in a cellar with a doomsday prepper, who insists that he saved her life and that the world outside is uninhabitable following an apocalyptic catastrophe. Uncertain what to believe, the woman soon determines that she must escape at any cost.

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Artist : Josh Campbell, Matthew Stuecken
As : Mary Elizabeth Winstead, John Goodman, John Gallagher Jr
Title : Premium Voir 10 Cloverfield Lane Full ☢☢ [SECRET]
Release date : 2016-03-11
Movie Code : 1179933
Duration : 110
Category : Drama, Mystery, Sci-Fi, Thriller

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Name : Richard Brody / Alias : New Yorker
Trachtenberg . smothers the action in showy camera work and an overly insistent music score. But, as the mystery unravels, he reveals flashes of a giddily hyperbolic pop imagination.

Name : Rafer Guzman / Alias : Newsday
"10 Cloverfield Lane" is as economical as a stage play but packs in plenty of visceral violence and visual surprises. Whether you've seen the first film or not, this one is a thoroughly entertaining treat.

Name : Steven Rea / Alias : Philadelphia Inquirer
Thumpingly exhilarating .

Name : Adam Graham / Alias : Detroit News
Winstead gives a strong performance as a captive who never gives up her fight. Goodman strikes a fine balance between nurturing caregiver and frightening captor, even if, to the detriment of the story, his end game is never really made clear.

Name : David Edelstein / Alias : New York Magazine/Vulture
10 Cloverfield Lane does what it needs to do: make you sit and squirm and want very badly to know. It has the appeal of suspense radio plays from the '30s and '40s and even a touch of Orson Welles's most infamous Mercury Theater broadcast.

Name : Brian Truitt / Alias : USA Today
A well-crafted affair by debuting director Dan Trachtenberg that mixes elements of an intimate stage play with the white-knuckled tension of a cracking good Twilight Zone episode.

Name : Justin Chang / Alias : Variety
A sensationally effective semi-sequel that bears virtually no narrative or stylistic resemblance to its predecessor .

Name : Chris Nashawaty / Alias : Entertainment Weekly
It's lean, and taut, and tense, and moves with Swiss-clock precision. Still, it's not as scary as you want it to be.

Name : Peter Howell / Alias : Toronto Star
From its Hitchcock opening to its eye-popping ending, Dan Trachtenberg's feature debut keeps us wondering about what's really going on, even as we root for Mary Elizabeth Winstead's spunky entrapped protagonist.

Name : Mark Olsen / Alias : Los Angeles Times
It is designed to be fun, efficient and accessible and delivers precisely and exactly on that and nothing more.

Name : Matthew Lickona / Alias : San Diego Reader
Just serviceable bunker thriller that asks the question, "Would you want to survive The Big One if it meant being stuck [underground] with the kind of guy who spent his life preparing to survive The Big One?"

Name : Mick LaSalle / Alias : San Francisco Chronicle
At one point, this movie had me so on edge that I had a fleeting impulse to run out of the theater. It might be weird to say that and mean it as a compliment, but good thrillers work that way sometimes.

Name : Alan Scherstuhl / Alias : Village Voice
As a gamelike, simulationist PG-13 horror chamber piece, 10 Cloverfield Lane is a success: well shot and -staged, arrestingly acted, edited with a crisp unpredictability.

Name : Bill Goodykoontz / Alias : Arizona Republic
Trachtenberg is patient building this world, and the actors do a good job inhabiting it.

Name : James Berardinelli / Alias : ReelViews
Take away the disappointing, disjointed, and anti-climactic final act, and this is an effective white-knuckle psychological thriller.

Name : Stephanie Zacharek / Alias : TIME Magazine
Not an outright Cloverfield sequel but rather, as Abrams has put it, a "spiritual successor." It's also a better movie, one with a sense of humor about itself and its genre.

Name : A.A. Dowd / Alias : AV Club
There's a fine, nerve-jangling little psychological thriller here. Pity it couldn't have been allowed to just be that.

Name : Amy Nicholson / Alias : MTV
Great publicity, dumb move. The title alone is a spoiler.

Name : Barry Hertz / Alias : Globe and Mail
This is a work of immense confidence, and the restraint Trachtenberg asks of his leads is remarkable - Winstead and Goodman quietly excel in what could have easily been wild, loud caricatures.

Name : Ethan Sacks / Alias : New York Daily News
The best reveal of "10 Cloverfield Lane" is that the script from Josh Campbell, Matthew Steucken and Damien Chazelle ("Whiplash") is strong enough to have made a compelling stageplay instead of a creature feature.

Name : Soren Anderson / Alias : Seattle Times
Rather than something truly wild and way, way off the wall, "10 Cloverfield Lane" is a variation on the "don't go down into the basement" school of scary moviemaking, only this time with a 180-degree twist.

Name : Michael Phillips / Alias : Chicago Tribune
Goodman's very good, taking care of job one, which is to keep us guessing Howard's intentions. And Winstead is even better, within the parameters of this genre mashup.

Name : Stephen Whitty / Alias : Newark Star-Ledger
I sure hope there's an "11 Cloverfield Lane."

Name : Justin Lowe / Alias : Hollywood Reporter
Although some may miss the immediacy of a rampaging kaiju destroying everything in its path, this is an entirely different breed of movie that's potentially even more effective for its shift in style and tone.

Name : Peter Travers / Alias : Rolling Stone
the movie comes loaded with everything a psychological thriller needs to shatter your nerves - and then kicks it up a notch.

Name : Joshua Rothkopf / Alias : Time Out
Producer J.J. Abrams, a brilliant marketer, has to eventually open his "mystery box," and the intelligence plummets. Never mind that. Go anyway and watch the arrival of the mighty Winstead, who'd do fine in a Room of her own.

Name : Michael O'Sullivan / Alias : Washington Post
Goodman's performance, while unhinged, never veers into caricature. Similarly, Winstead avoids the cliche of the tank-top-wearing bimbo/victim, bringing an earthy self-reliance to her role.

Name : Alonso Duralde / Alias : TheWrap
Even if this tale might have been better served as a 40-minute short than as a full-length movie, first-time feature director Dan Trachtenberg has cast a trio of actors at the top of their game, and they elevate the material.

Name : Mara Reinstein / Alias : Us Weekly
For the love of Google, don't scour the web for third-act spoilers. Just know that an old-fashioned scary movie can still make you squirm, laugh and gasp for air.

Name : Sara Stewart / Alias : New York Post
Winstead also makes a terrific heroine; her character is a problem-solver, not a freaker-outer, and it's a stressful sort of fun watching her devise one plan after another to get around Howard's creepy patriarchal rules.

Name : Colin Covert / Alias : Minneapolis Star Tribune
The point of this precisely crafted film is psychological possibility. It creates a kind of Hitchcockian thriller where uncertainty soaks the story and spreads across the atmosphere like blood on a shirt.

Name : Will Leitch / Alias : The New Republic
The horrors of that bunker far outweigh anything that could be waiting for them outside. Sometimes what is right in front of you is plenty terrifying enough.

Name : Rene Rodriguez / Alias : Miami Herald
Tamp down those expectations, then tamp them down some more.

Name : Scott Tobias / Alias : NPR
Trachtenberg and his screenwriters, Josh Campbell and Matthew Stuecken, take advantage of the shelter's tight quarters, which contribute to the expected pressure-cooker atmosphere of suspicion and hostility but also open up the punch-drunk comedy .

Name : Bill Zwecker / Alias : Chicago Sun-Times
Unpredictability in cinema is frequently a missing element - especially when we're talking about movies that fall into the horror or science-fiction genres. With 10 Cloverfield Lane, there is no such problem. Trust me.

Name : Steve Tilley / Alias : Toronto Sun
The more you know about it, the less fun it will be.

Name : Jeannette Catsoulis / Alias : New York Times
A master class on narrative pacing and carefully managed jolts.

Name : Jocelyn Noveck / Alias : Associated Press
Trachtenberg scares the wits out of us a few times, and then he launches into a climax that will have many talking - though I found it somewhat disappointing, a little predictable, and frustratingly baffling. But you might love it.

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